This study material, compiled from lecture audio transcripts, personal notes, and PDF/PowerPoint texts, explores the multifaceted concept of "Native American Spaces" within the broader context of literature and the city. It delves into how Native American peoples have historically interacted with, perceived, and represented space, from ancestral lands to colonized territories and contemporary urban environments.
📚 Native American Spaces: Literature and the City
1. Introduction: Understanding Native American Spatial Practices 🌍
Native American cultures possess a profound and distinct relationship with space, viewing land not merely as property but as a living entity with inherent agency. This perspective forms the bedrock of their identity, memory, and spiritual beliefs. Historically, Native American peoples engaged in diverse spatial practices:
- Nomadic: Groups who moved continuously, often following specific migration routes or seasonal resources. Their connection to space was defined by movement within a vast, interconnected territory.
- Semi-Nomadic: Tribes that traveled seasonally but maintained a primary settlement or specific regions for parts of the year. This allowed for seasonal resource exploitation while retaining a sense of regional belonging.
- Settled Life: Agrarian communities, such as the Pueblo Indians, who established permanent settlements and cultivated land. Their spatial practices centered around fixed agricultural cycles and community structures.
These practices highlight a deep, reciprocal relationship with the environment, contrasting sharply with Western notions of land ownership and exploitation.
2. Categories of Native American Spaces 🗺️
Native American literature and history reveal several distinct categories of spaces, each carrying unique cultural, historical, and literary significance:
- Ancestral Spaces: Lands imbued with deep cultural, spiritual, and historical meaning.
- Colonized Spaces: Territories forcibly altered and controlled by external powers, leading to trauma and displacement.
- Liminal and Hybrid Spaces: "In-between" spaces reflecting complex identities and cultural negotiations.
- Reclaiming of Spaces: Efforts to reassert Native American presence, culture, and sovereignty over physical and intellectual territories.
3. Ancestral Spaces: Roots and Relationality 🌱
Ancestral spaces are foundational to Native American identity. They are not just geographical locations but repositories of memory, story, and spiritual connection.
- The Oral Tradition: Space is actively created and maintained through performance. Chants, songs, and storytelling cycles imbue landmarks with narrative significance. A specific mountain or river might evoke an entire origin story or historical event.
- Relationality: Unlike the Western concept of land as inert property, Native literature portrays space as a relative, a character with agency. The land is an active participant in life, not merely a passive backdrop.
- Emergence and Origin Myths: Many tribal literatures feature "Emergence Myths," which describe people's journeys through different subterranean or spiritual worlds before arriving at their current physical homelands. These narratives establish a deep, ancient connection to specific places.
- Memory of Place (Lieux de Mémoire): Drawing on Pierre Nora's concept, ancestral spaces function as "sites of memory." These are material or symbolic entities—monuments, sacred sites, or even historical events—that become crystallization points for a community's collective memory and identity.
- Example: Wounded Knee, a site of two massacres, serves as a powerful "lieu de mémoire" for many Native Americans, embodying both profound trauma and enduring resilience.
💡 Special Focus: N. Scott Momaday's The Way to Rainy Mountain
N. Scott Momaday's seminal work, The Way to Rainy Mountain, powerfully exemplifies the concept of ancestral spaces and the "memory of place." The book traces the journey of the Kiowa people from their origins in the Yellowstone region to their last migration to Rainy Mountain in Oklahoma.
- Oral Tradition and Relationality: Momaday weaves together three distinct voices: Kiowa legends (oral tradition), historical commentary, and his personal reflections. This tripartite structure demonstrates how space is understood through layered narratives. The landscape itself is a character, with features like the Wichita Mountains and Rainy Mountain acting as silent witnesses and active participants in the Kiowa story.
- Emergence and Origin: The narrative begins with the Kiowa's emergence from a hollow log, a classic emergence myth, immediately establishing their deep, spiritual connection to the land.
- Homing Plot and Reclaiming Memory: Momaday's personal pilgrimage back to Rainy Mountain after his grandmother's death is a literal "homing plot." He seeks to understand his heritage by physically retracing his ancestors' steps and mentally reconstructing their history. This act of return is a profound reclaiming of ancestral memory and identity, demonstrating how personal and collective healing can be found by reconnecting with one's roots. The book itself becomes a "lieu de mémoire," preserving and transmitting Kiowa cultural memory.
4. Colonized Spaces: Trauma and Resilience 💔
The arrival of European colonizers drastically transformed Native American spatial realities, leading to the creation of "colonized spaces" marked by displacement, confinement, and cultural suppression.
- The Reservation ("The Res"):
- Often depicted as a site of both trauma and paradoxical protection. While a space of confinement, it sometimes served to preserve culture and community amidst external pressures.
- Historically, reservations were controlled by U.S. Indian Agents who dictated entry/exit and funding. Native people on reservations were denied fundamental rights like freedom of speech, assembly, religion, and property ownership.
- Punishments often included deprivation of food or physical torture. Children were forcibly sent to boarding schools, separating them from families and cultural practices.
- After the 1870s, Christian extremists often took over agent roles, actively eradicating Native cultural practices.
- The Indian Reorganization Act (IRA) of 1934 (Wheeler-Howard Act) marked a shift, promoting tribal reorganization and self-government, though its implementation was complex.
- Forced Relocations:
- The Indian Removal Act of 1830 extinguished Native land rights east of the Mississippi River, leading to the forced displacement of tribes like the "Five Civilized Tribes" to "Indian Country" (Oklahoma) via the Trail of Tears.
- By 1840, the Bureau of Indian Affairs (BIA) and the U.S. military had relocated over thirty tribes west of the Mississippi.
- Subsequent legislation like the Indian Appropriation Act (1851), Homestead Act (1862), and Railroads Act (1862) provided the legal basis for creating reservations and enforcing further relocations, driven by westward expansion and land speculation.
- Until 1879, Native people were not regarded as human beings under U.S. law.
- The Border: Native spaces are frequently bisected by international or state borders, creating tension for "nations within a nation" and challenging their sovereignty.
- Urban Relocation Programs (1950s): These programs created a "diasporic" space by moving Native people into white urban centers, often disrupting community ties and traditional ways of life.
5. Liminal and Hybrid Spaces: In-Between Worlds 🌉
Contemporary Native literature frequently explores the experience of "liminal" or "hybrid" spaces, reflecting the feeling of being "in-between" traditional worlds and modern, capitalist societies.
- The Urban Indian: A significant portion of modern Native literature is set in cities (e.g., Tommy Orange’s There There). These narratives redefine "Native space" as something that can exist and thrive in urban environments, not just rural landscapes.
- Frontier vs. Homeland: While Western literature often views the "frontier" as a space to be conquered, Native literature reinterprets that same space as a desecrated homeland, highlighting the clash of perspectives on land and belonging.
💡 Special Focus: Sandra Cisneros's The House on Mango Street (Comparative Example)
While Sandra Cisneros is not a Native American author, her novel The House on Mango Street offers a compelling parallel to the themes of liminality, urban identity, and spatial negotiation discussed in the context of Native American literature. Esperanza Cordero's experience resonates with the "Urban Indian" narrative by exploring how marginalized communities navigate and redefine space within a dominant urban landscape.
- "In-Between" Identity: Esperanza, a young Latina girl growing up in a Chicago barrio, constantly feels "in-between" her cultural heritage and the American dream, her family's expectations and her personal aspirations. This mirrors the "in-between" feeling of Native Americans living in urban centers, balancing traditional values with modern life.
- Redefining Space: Esperanza's "house" is not just a physical structure but a symbol of identity, belonging, and aspiration. Her desire for a house of her own, distinct from the rented, dilapidated homes she inhabits, is a quest for self-definition and a secure space. This echoes the Native American struggle to define and reclaim spaces, whether ancestral lands or urban territories, as places where their identity can flourish.
- Reclaiming Space Through Narrative: Esperanza ultimately finds her voice through writing. By telling her story and the stories of her community, she reclaims her space, transforming her experiences into a powerful narrative. This act of literary creation is a form of "intellectual sovereignty," akin to how Native American authors use writing to assert their cultural perspectives and redefine what "Native space" means in a contemporary context.
6. Reclaiming of Spaces: Sovereignty and Healing ✨
The act of reclaiming spaces is central to Native American resilience and cultural assertion, manifesting in both physical and intellectual forms.
- The Return / Homing Plot: Many narratives feature a protagonist returning to their ancestral home to find healing, a common literary trope. This return is often a journey of self-discovery and cultural reconnection.
- Literary Sovereignty: Scholars like Craig Womack advocate for "Literary Sovereignty," arguing that Native literature should be understood and judged within its own cultural and spatial contexts, rather than through the lens of the Western literary canon. This asserts the right of Native peoples to define their own literary traditions and critical frameworks.
- Intellectual Sovereignty: This extends to writing in Indigenous languages or incorporating tribal structures into Western genres (like the novel). Such acts reclaim the "space" of the book itself, making it a vehicle for Indigenous knowledge and worldviews.
- Native American Renaissance: This powerful literary movement, featuring authors like N. Scott Momaday, Louise Erdrich, Sherman Alexie, Simon J. Ortiz, Joy Harjo, and Leslie Marmon Silko, exemplifies the reclaiming of spaces through diverse voices and narratives. These authors explore complex spatial and cultural dynamics, asserting Native American presence and perspective in the literary world.
Conclusion ✅
Native American spatial practices are deeply rooted in cultural and spiritual understandings, viewing land as an active, relational entity. The historical imposition of colonized spaces profoundly impacted these traditional relationships, creating sites of both trauma and resilience. Contemporary Native literature actively explores themes of liminality, the urban experience, and the critical process of reclaiming spaces through narratives of return and the assertion of literary and intellectual sovereignty. These literary endeavors underscore the enduring connection between Native American peoples and their diverse, evolving spaces.









